Digital Media Frequently Asked Questions

You probably haven’t lost your project, and I would guess that Logic is open, just not the main workspace. Luckily, that is an easy fix.

First, make sure Logic is the active application (see Fig. 1) by looking for “Logic” in the upper left-hand corner of your screen.

You have two options: (1) you can either use the keyboard shortcut Command-1

Or, (2) select Window > Open Main Window (Fig. 2) from the drop-down menu

A real film would be mixed and “sweetened” in a different program than it was edited. A video editor would share a special file that translates the data from FCP X to Logic (or Premiere to Pro Tools, or DaVinci Resolve to Digital Performer, or any combination of A to B).

Follow these quick instructions to get started mixing your film like a pro!

Please see the Mic Signal checklist.

There is also a hard copy in the Studio One handbook.

Let me know if you have questions.

Follow the Level Setup Procedure Checklist.

There is also a hard copy in the Studio One handbook.

Here’s a tip that might solve your problem!

Please be mindful of personal and equipment safety when filming off-campus.

First, make sure you let me know your filming plan so we can address any concerns before the project starts.

Then, complete the permission form. (Keep reading to see what happens next.)

Once you submit the form:

1. An email will be sent to you, me, our attendance secretary, and your parent/guardian email address you entered in the form.
2. After reviewing the information in the email, your parent/guardian can reply all to give their permission.
3. If you would prefer a paper copy of the form, I can print that and send it with you.

There is a chance that your headphones aren’t plugged in firmly or your system settings have the audio out of balance. More than likely though, you’re editing a project where we used a single mic to record audio into one of the two stereo channels.

This is exactly what is supposed to happen.

You correct this in Final Cut Pro’s Inspector pane (Command-4) under the audio tab (see the speaker icon up top).

Select the clip(s) you want to correct (either in the Timeline or the Browser) and change the Audio Configuration to Dual Mono. Then, disable the silent channel. See below:

I’ve got just the thing to help you out.

Check it out!

There is also a hard copy in the Studio One handbook.

A demo reel is a great way to quickly demonstrate your skills for potential employers, clients, or colleges. Here are some quick tips:

(you can also create one that demonstrates your musical work)

• zapsplat.com
• soundeffects.com
• 99sounds.org
• Freesound.org
• Incompetech
• FreeSFX
• Free Soundtrack Music
• Sound Bible
• NASA
• BBC
• YouTube Audio Library
• Soundstripe (membership-based)
• Splice (membership-based)

The Studio One handbook is a white binder labeled “Control Room.” It is located on the side table (or occasionally the bookshelf) inside the control room.

Inside this binder, you’ll find instructions for all the hardware located in Studio One.

There is also a collection of checklists that will be updated and added to occasionally. I may point you to this handbook to answer a question.

This handbook is a reference that you might find useful when setting up a particular microphone or troubleshooting a piece of gear.

If you think of something that needs to be included in the handbook, please let me know!

I’ve got just the thing to help you out.

Check it out!

There is also a hard copy in the Studio One handbook.

A demo reel is a great way to quickly demonstrate your skills for potential employers, clients, or colleges. Here are some quick tips:

(you can also create one that demonstrates your musical work)

Please be mindful of personal and equipment safety when filming off-campus.

First, make sure you let me know your filming plan so we can address any concerns before the project starts.

Then, complete the permission form. (Keep reading to see what happens next.)

Once you submit the form:

1. An email will be sent to you, me, our attendance secretary, and your parent/guardian email address you entered in the form.
2. After reviewing the information in the email, your parent/guardian can reply all to give their permission.
3. If you would prefer a paper copy of the form, I can print that and send it with you.

There is a chance that your headphones aren’t plugged in firmly or your system settings have the audio out of balance. More than likely though, you’re editing a project where we used a single mic to record audio into one of the two stereo channels.

This is exactly what is supposed to happen.

You correct this in Final Cut Pro’s Inspector pane (Command-4) under the audio tab (see the speaker icon up top).

Select the clip(s) you want to correct (either in the Timeline or the Browser) and change the Audio Configuration to Dual Mono. Then, disable the silent channel. See below:

A demo reel is a great way to quickly demonstrate your skills for potential employers, clients, or colleges. Here are some quick tips:

(you can also create one that demonstrates your musical work)

Please see the Mic Signal checklist.

There is also a hard copy in the Studio One handbook.

Let me know if you have questions.

I’ve got just the thing to help you out.

Check it out!

There is also a hard copy in the Studio One handbook.

The Studio One handbook is a white binder labeled “Control Room.” It is located on the side table (or occasionally the bookshelf) inside the control room.

Inside this binder, you’ll find instructions for all the hardware located in Studio One.

There is also a collection of checklists that will be updated and added to occasionally. I may point you to this handbook to answer a question.

This handbook is a reference that you might find useful when setting up a particular microphone or troubleshooting a piece of gear.

If you think of something that needs to be included in the handbook, please let me know!

A real film would be mixed and “sweetened” in a different program than it was edited. A video editor would share a special file that translates the data from FCP X to Logic (or Premiere to Pro Tools, or DaVinci Resolve to Digital Performer, or any combination of A to B).

Follow these quick instructions to get started mixing your film like a pro!

Please be mindful of personal and equipment safety when filming off-campus.

First, make sure you let me know your filming plan so we can address any concerns before the project starts.

Then, complete the permission form. (Keep reading to see what happens next.)

Once you submit the form:

1. An email will be sent to you, me, our attendance secretary, and your parent/guardian email address you entered in the form.
2. After reviewing the information in the email, your parent/guardian can reply all to give their permission.
3. If you would prefer a paper copy of the form, I can print that and send it with you.

There is a chance that your headphones aren’t plugged in firmly or your system settings have the audio out of balance. More than likely though, you’re editing a project where we used a single mic to record audio into one of the two stereo channels.

This is exactly what is supposed to happen.

You correct this in Final Cut Pro’s Inspector pane (Command-4) under the audio tab (see the speaker icon up top).

Select the clip(s) you want to correct (either in the Timeline or the Browser) and change the Audio Configuration to Dual Mono. Then, disable the silent channel. See below:

A demo reel is a great way to quickly demonstrate your skills for potential employers, clients, or colleges. Here are some quick tips:

(you can also create one that demonstrates your musical work)